1 00:00:01,070 --> 00:00:04,050 Previously on The Next Bride... It's Brandon Armstrong! 2 00:00:04,790 --> 00:00:08,770 I want you guys to tell a story from your life that is meaningful. 3 00:00:09,130 --> 00:00:11,010 When I was 15, I lost my mom. 4 00:00:11,610 --> 00:00:13,250 My story is about perseverance. 5 00:00:13,610 --> 00:00:15,090 How do you show it? Your eyes. 6 00:00:15,650 --> 00:00:16,650 I need to move. 7 00:00:16,830 --> 00:00:17,830 No! 8 00:00:18,090 --> 00:00:22,390 AJ, you had jive last week. You need to come here with some creativity. 9 00:00:22,630 --> 00:00:26,710 It will not wash in the United States. Nina, I would have liked you to have 10 00:00:26,710 --> 00:00:28,690 listened a little bit. Benji... 11 00:00:29,040 --> 00:00:30,480 Today I just kind of got away from you. 12 00:00:31,040 --> 00:00:35,020 Tonight was the last dance for Benji. 13 00:00:54,440 --> 00:00:55,440 Hi, guys. 14 00:00:56,960 --> 00:00:57,960 There they are. 15 00:00:58,410 --> 00:01:01,550 Say hi to our judges, Shirley and Mark Ballard. 16 00:01:02,270 --> 00:01:07,190 Lovely to see you both. Looking marvellous as always. Thank you. 17 00:01:07,710 --> 00:01:12,450 Danfu, you have been training together. You've been living together, but you've 18 00:01:12,450 --> 00:01:15,130 also been competing against each other. 19 00:01:15,610 --> 00:01:18,150 Just how tough has this experience been for you? 20 00:01:18,770 --> 00:01:19,770 Had its moments. 21 00:01:19,810 --> 00:01:20,810 Had its moments. 22 00:01:22,890 --> 00:01:26,510 Benji's gone, and it's because of the lack of communication that we had. 23 00:01:26,840 --> 00:01:31,100 I feel extremely guilty and I don't want that to happen this week. 24 00:01:31,320 --> 00:01:35,900 Mark, what's the tip you would give him to make it as a pro? The key is to get 25 00:01:35,900 --> 00:01:38,500 the most out of your star that you have been partnered with. 26 00:01:38,700 --> 00:01:42,880 Sometimes you have to be selfless to look better as a couple. You'll shine 27 00:01:42,880 --> 00:01:44,660 more by showing off less. 28 00:01:45,260 --> 00:01:50,100 I want to see a dancer make it impossible to turn them down. I want to 29 00:01:50,100 --> 00:01:52,700 witness a star being born. 30 00:01:53,200 --> 00:01:56,460 Rounding out our judging panel is our guest judge. 31 00:01:56,780 --> 00:02:01,040 She has been a pro on Dancing with the Stars since 2020. 32 00:02:01,300 --> 00:02:05,620 And she is one of the show's most creative choreographers and remarkable 33 00:02:05,620 --> 00:02:08,360 performers. The incredible Britt Stewart. 34 00:02:12,460 --> 00:02:16,220 I am absolutely obsessed with Britt. She's my favorite pro. 35 00:02:16,460 --> 00:02:19,240 Wow. In ballroom, it's hard to find Black representation. 36 00:02:19,760 --> 00:02:24,080 So it just makes this dream to be the next pro of Dancing with the Stars feel 37 00:02:24,080 --> 00:02:25,540 even more possible. 38 00:02:48,899 --> 00:02:50,080 I'm alive. 39 00:04:02,670 --> 00:04:04,330 Amazing. Thank you, Robert. 40 00:04:05,330 --> 00:04:06,730 Wow. Great. 41 00:04:07,050 --> 00:04:12,370 Well, before judging our dancers, you have set a challenge for them. 42 00:04:12,590 --> 00:04:17,670 One of the most popular elements of Dancing with the Stars are the times we 43 00:04:17,670 --> 00:04:18,670 dance as a group. 44 00:04:18,890 --> 00:04:22,230 For example, the massive opening numbers. 45 00:04:22,770 --> 00:04:27,730 Often, they include non-ballroom dance styles and really give the show. 46 00:04:28,250 --> 00:04:33,730 spectacle, and scale. It is such a vital part of becoming a pro. So this week's 47 00:04:33,730 --> 00:04:36,090 challenge, dancing as a group. 48 00:04:36,710 --> 00:04:42,030 That's right. This week, your challenge is to recreate the very choreography 49 00:04:42,030 --> 00:04:44,090 that you just saw Britt do. 50 00:04:44,570 --> 00:04:48,630 You need to show us that you can work in perfect unison. 51 00:04:48,970 --> 00:04:53,930 Group work is tough because it can get messy very quickly. My focus was on 52 00:04:53,930 --> 00:04:57,650 competitive dancing, so group dancing is very new to me. 53 00:04:58,250 --> 00:05:00,870 It's time to shine as part of a collective. 54 00:05:01,110 --> 00:05:02,109 Good luck. 55 00:05:02,110 --> 00:05:03,110 Thank you. 56 00:05:03,870 --> 00:05:07,350 This is going to be a big week for them. It's going to be amazing. 57 00:05:10,370 --> 00:05:11,410 I'm so excited. 58 00:05:12,050 --> 00:05:15,110 I would love to be doing a ballroom dance. But we're all together. Yes. 59 00:05:15,670 --> 00:05:16,670 Let's stretch it out. 60 00:05:17,910 --> 00:05:21,830 How are we doing? 61 00:05:22,210 --> 00:05:23,490 Great. Fantastic. 62 00:05:23,970 --> 00:05:26,490 This is going to be a big week. 63 00:05:26,990 --> 00:05:31,710 Group numbers really give you an opportunity to step out of the norms of 64 00:05:31,710 --> 00:05:35,890 ballroom, to not be so traditional, play around, break the rules. 65 00:05:36,190 --> 00:05:41,650 I'm looking forward to seeing how each one of you take my choreography, pick it 66 00:05:41,650 --> 00:05:46,470 up quickly, and how you can come forward as individuals, but as a collective. 67 00:05:46,790 --> 00:05:48,350 Are you guys up for it? Absolutely. 68 00:05:48,790 --> 00:05:53,930 So spread out. I'm going to move very quickly, okay? So let's hit it. We go 69 00:05:53,930 --> 00:05:55,950 one, two, three, four. 70 00:05:56,400 --> 00:06:01,180 Group performance is difficult because synchronicity is so important. You have 71 00:06:01,180 --> 00:06:03,140 to be together with the other dancers. 72 00:06:03,380 --> 00:06:05,980 One more time. You have to be aware of your space. 73 00:06:06,240 --> 00:06:12,040 So these dancers have a lot of work cut out for them this week. For traditional 74 00:06:12,040 --> 00:06:16,520 Latin and ballroom dancers, this group dance challenge could be a little bit 75 00:06:16,520 --> 00:06:17,520 more difficult. 76 00:06:18,200 --> 00:06:23,120 If you're unaware, it'll be messy, there will be collisions, and it will not come 77 00:06:23,120 --> 00:06:24,120 together. 78 00:06:34,210 --> 00:06:40,770 I feel like I put an image that I can do whatever, I'm strong, I'm a powerful 79 00:06:40,770 --> 00:06:44,990 dancer, but it is hard because we have to work everything out with so many 80 00:06:44,990 --> 00:06:49,550 people, in fast music, with all the things, and I'm doubting myself. 81 00:06:50,250 --> 00:06:52,330 I'm huge on details and dynamics. 82 00:06:53,010 --> 00:06:57,070 Right? So smooth into each other. One question. Is it a three-step turn or 83 00:06:57,070 --> 00:07:00,510 just a one turn? Yes. So one, close, press. 84 00:07:00,750 --> 00:07:06,010 Thank you. I'm really, really excited to be able to do a group dance. And one, 85 00:07:06,170 --> 00:07:11,730 two. I love taking talented dancers and making this incredible number together, 86 00:07:11,930 --> 00:07:13,670 learning very fast-paced choreography. 87 00:07:13,950 --> 00:07:15,910 It just makes me really excited to dance. 88 00:07:16,190 --> 00:07:17,190 Good job, dancers. 89 00:07:18,239 --> 00:07:20,080 Amazing first session together. 90 00:07:20,400 --> 00:07:25,120 You can take this time to continue to practice, help each other, support each 91 00:07:25,120 --> 00:07:26,120 other. All right? 92 00:07:26,400 --> 00:07:27,400 Okay, guys. 93 00:07:28,180 --> 00:07:32,740 I excel in a group dance. It's what we do in the commercial world. It's what 94 00:07:32,740 --> 00:07:37,720 I'm best at. So I feel like this is going to be my strong suit for sure. 95 00:07:37,880 --> 00:07:39,900 Five and six, seven and eight. 96 00:07:40,160 --> 00:07:42,300 One, two. The turn was on two. 97 00:07:42,890 --> 00:07:45,850 We're prepping on one, we're turning on two, we're stepping on three. 98 00:07:46,070 --> 00:07:48,810 I think it would look meaner though if we selected to go here. 99 00:07:49,250 --> 00:07:52,170 No. So prep one, turn two, step three. 100 00:07:52,730 --> 00:07:53,730 Whatever you want. 101 00:07:54,150 --> 00:08:00,410 I was trying to be involved and it just tend to get shut down a lot. Isn't it 102 00:08:00,410 --> 00:08:02,010 five into a flow? 103 00:08:02,330 --> 00:08:08,310 Five. Yes, but it's still like five, seven, eight. I think simplicity is key. 104 00:08:08,430 --> 00:08:10,590 Can we consider it like a body sway? 105 00:08:10,870 --> 00:08:11,870 You're going like. 106 00:08:11,920 --> 00:08:16,720 really fast there's no time to be like okay listen to me then we can dip it 107 00:08:16,720 --> 00:08:20,340 down just a little little moment right we're hitting back corner though right 108 00:08:20,340 --> 00:08:26,280 yeah okay what happened no okay i don't know if it's that she doesn't believe 109 00:08:26,280 --> 00:08:30,460 that i can do it but she doesn't want to listen you're so quiet then you make me 110 00:08:30,460 --> 00:08:36,780 scared i can't oh no i'm fine five six seven eight 111 00:08:37,100 --> 00:08:38,720 One, two, keep that direction. 112 00:08:39,140 --> 00:08:39,959 What's happening? 113 00:08:39,960 --> 00:08:43,120 Three and four, promenade. I love dancing in a group. It's kind of what 114 00:08:43,120 --> 00:08:43,759 I'm used to. 115 00:08:43,760 --> 00:08:46,700 I wasn't a ballroom dancer when I started. I was on this underground hip 116 00:08:46,700 --> 00:08:47,700 -hop dance team. 117 00:08:47,740 --> 00:08:52,860 But Brit's choreography, it's probably the most challenging group number I've 118 00:08:52,860 --> 00:08:54,880 done. I generally have no idea what's going on. 119 00:08:55,080 --> 00:08:56,900 It's just a lot of moving parts. 120 00:08:57,540 --> 00:09:00,100 I'm, like, a little dumbfounded. 121 00:09:00,460 --> 00:09:01,520 Okay, do you need help with your feet? 122 00:09:01,820 --> 00:09:02,840 I have no idea what I'm doing. 123 00:09:03,150 --> 00:09:07,190 Okay. Here it's fine, here it's fine. There's a swivel, but then there's that. 124 00:09:07,410 --> 00:09:08,410 No, it was after that. 125 00:09:09,110 --> 00:09:10,890 Okay, that's a telespin. 126 00:09:11,810 --> 00:09:16,010 Telespin? Telespin. And I'm seeing Tristan struggle with spacing and 127 00:09:16,010 --> 00:09:18,590 picking up the choreography quick enough. Land here. 128 00:09:18,830 --> 00:09:21,810 Land there. Yeah, you're going too far out. Got it. You actually have the 129 00:09:21,810 --> 00:09:26,170 easiest track. Yes. And I'm seeing Nina struggle with musicality and timing. 130 00:09:26,270 --> 00:09:27,950 They need to step it up. 131 00:09:28,210 --> 00:09:30,470 I keep screwing up the turn. 132 00:09:31,280 --> 00:09:34,620 Steph, you come forward to three, four. 133 00:09:35,400 --> 00:09:37,860 Yeah, so you just come straight forward. Okay. Okay. 134 00:09:38,320 --> 00:09:41,980 Group stuff is definitely something that I am very comfortable with doing because 135 00:09:41,980 --> 00:09:43,660 I grew up a commercial dancer. 136 00:09:43,860 --> 00:09:48,900 I did Dancing with the Stars, season 33, Truth. So I'm excited to show my 137 00:09:48,900 --> 00:09:51,780 powerful side and just how fast I can pick up choreography. 138 00:09:52,320 --> 00:09:56,820 I'm definitely in my element and I'm feeling really good. One, three, four, 139 00:09:57,040 --> 00:09:59,280 five, and six, seven, eight, oh. 140 00:10:00,830 --> 00:10:01,830 Oh, are you okay? 141 00:10:02,690 --> 00:10:03,690 Oh, no. 142 00:10:04,530 --> 00:10:05,530 You okay? 143 00:10:05,830 --> 00:10:06,830 What happened? 144 00:10:07,070 --> 00:10:08,130 I think she got hit in the face. 145 00:10:08,510 --> 00:10:13,110 Can you look at me really quick? 146 00:10:14,210 --> 00:10:16,990 It's like a black eye. I don't know what happened. 147 00:10:17,370 --> 00:10:20,510 The dance was moving so quickly and Natalie got hit in the face. 148 00:10:21,450 --> 00:10:23,650 Was it with the nail or with the hair? 149 00:10:23,990 --> 00:10:27,270 My hands are getting really tingly. 150 00:10:28,300 --> 00:10:32,280 I just hate being the one that caused that. Like, I just feel horrible. I know 151 00:10:32,280 --> 00:10:35,520 she's worked really hard to be here, and I hope she's okay. 152 00:10:35,820 --> 00:10:37,180 It hurts really bad. 153 00:10:37,480 --> 00:10:38,980 We're going to go get you checked out, all right? 154 00:10:40,100 --> 00:10:41,100 Sorry, 155 00:10:42,480 --> 00:10:43,480 I just care. 156 00:10:45,300 --> 00:10:47,420 Paramedics up there? I can't breathe through my nose. 157 00:10:50,000 --> 00:10:51,680 Just try and slow your breathing down. 158 00:10:52,040 --> 00:10:53,900 They're going to give you some pain relief, okay? 159 00:10:54,420 --> 00:10:57,960 I'm really feeling for Natalie. She is part of this group challenge. 160 00:10:58,560 --> 00:11:03,960 This incident really showcases why dancing as a unit, being aware of your 161 00:11:03,960 --> 00:11:07,040 space, is so important when you're doing group dance work. 162 00:11:19,120 --> 00:11:23,000 If these dancers want to be a pro on Dancing with the Stars, group numbers 163 00:11:23,000 --> 00:11:24,740 are so important. 164 00:11:25,380 --> 00:11:28,780 So this week, the challenge is to create my group's choreography. 165 00:11:29,240 --> 00:11:32,360 These dancers don't know it yet, but I have a surprise for them. 166 00:11:34,120 --> 00:11:39,200 Everything within this group dance challenge is difficult. 167 00:11:39,500 --> 00:11:40,680 Just all the little steps. 168 00:11:41,040 --> 00:11:46,300 I'm a showman. I like to stand out, feel special, but I have to keep myself in 169 00:11:46,300 --> 00:11:48,160 line so I'm not distracting from. 170 00:11:48,560 --> 00:11:49,239 The group. 171 00:11:49,240 --> 00:11:55,640 One, two, three, four, five, six, seven, eight. Okay, one more time for Nina this 172 00:11:55,640 --> 00:11:56,640 beginning. 173 00:11:57,080 --> 00:11:59,200 There's a lot. There's a lot of content in the routine. 174 00:11:59,500 --> 00:12:03,380 Sorry, guys. Ever since getting those comments from week one, timing is 175 00:12:03,380 --> 00:12:05,220 definitely something I've been working really hard on. 176 00:12:05,860 --> 00:12:10,160 It's a lot of pressure, and I don't want to let anybody down, including myself. 177 00:12:10,700 --> 00:12:13,000 Dancers, I have a surprise for you. 178 00:12:15,480 --> 00:12:16,680 It's time to perform. 179 00:12:18,220 --> 00:12:23,600 You have had three hours to learn the choreography, and that is the same time 180 00:12:23,600 --> 00:12:28,060 that pros on Dancing with the Stars have to learn opening numbers and be camera 181 00:12:28,060 --> 00:12:34,780 ready. I am very excited to see you perform, so please help me welcome my 182 00:12:34,780 --> 00:12:35,780 fellow judges. 183 00:12:36,340 --> 00:12:42,680 Oh, my God. You have Shirley and Mark coming into the door. I've never learned 184 00:12:42,680 --> 00:12:46,800 a dance, especially a group dance, this quick before. 185 00:12:47,340 --> 00:12:50,140 Now the pressure's really on. I don't know what's going on. 186 00:12:50,380 --> 00:12:54,400 This is the most stressful day for me. Not just because of the judges, but 187 00:12:54,400 --> 00:12:58,840 because I don't want to disappoint myself, and I know I'm not 100% ready. 188 00:12:59,260 --> 00:13:00,260 I'm scared. 189 00:13:01,040 --> 00:13:04,560 Shirley and Mark, Natalie, unfortunately, was injured. 190 00:13:05,280 --> 00:13:07,540 Still awaiting updates, but she's okay. 191 00:13:07,780 --> 00:13:13,820 Yeah. Okay, dancers, we would like you to show us exactly what you've got, and 192 00:13:13,820 --> 00:13:16,060 I only hope it's spectacular. 193 00:13:19,200 --> 00:13:25,300 I feel like people are... I'm not ready to be judged, let's say. Just a tad bit 194 00:13:25,300 --> 00:13:28,580 more. A tad bit more. Knowing the judge is there, I think somebody's going to go 195 00:13:28,580 --> 00:13:31,220 home now. So I have to pull it out of the bag. 196 00:13:54,960 --> 00:13:56,160 Oh, my 197 00:13:56,160 --> 00:14:03,800 God. 198 00:15:08,490 --> 00:15:13,130 Hey, Shirley, in your opinion, who was the weakest dancer in this group 199 00:15:13,130 --> 00:15:14,130 challenge? 200 00:15:14,170 --> 00:15:17,970 Well, first of all, as a group, I just want to say it was pretty difficult, but 201 00:15:17,970 --> 00:15:22,830 there was one person that was ahead by a whole bar of music in the telly spin, 202 00:15:22,950 --> 00:15:24,210 and that person is Tristan. 203 00:15:26,590 --> 00:15:32,330 Mark? For me, again, it was rushing music, slightly ahead, not fully being 204 00:15:32,330 --> 00:15:34,390 spatially aware of your partner. 205 00:15:36,530 --> 00:15:37,690 Unfortunately, it's going to be Nina. 206 00:15:40,470 --> 00:15:47,130 Tristan and Nina, you're not on the chopping block just 207 00:15:47,130 --> 00:15:52,870 yet. There will be a second challenge to prove what you have for the judges. 208 00:15:53,430 --> 00:15:56,370 It feels like a blessing to be given another chance. 209 00:15:56,590 --> 00:15:59,370 All I can do is listen to the judges' critique. 210 00:16:00,250 --> 00:16:01,250 Keep it going. 211 00:16:01,430 --> 00:16:02,630 Yeah, all good. Let it out. 212 00:16:02,990 --> 00:16:04,150 Let it out. Let it out. 213 00:16:06,460 --> 00:16:07,460 Come on, guys. 214 00:16:08,540 --> 00:16:09,740 I'm so upset. 215 00:16:10,200 --> 00:16:15,340 I just thought I had a handle on it, and I didn't. Hey, I'm right there with you. 216 00:16:15,420 --> 00:16:18,180 I'm right there with you. Bro, you're not going anywhere, okay? 217 00:16:18,660 --> 00:16:22,180 That's what matters, okay? I feel like I let myself down, and I've always had my 218 00:16:22,180 --> 00:16:25,980 own back, so it was just pretty upsetting. 219 00:16:27,140 --> 00:16:28,960 You got another opportunity tomorrow. 220 00:16:29,580 --> 00:16:31,500 We do this because we love it. Yeah. 221 00:16:31,720 --> 00:16:33,640 Yeah? So let's just keep it moving, bro, okay? 222 00:16:34,540 --> 00:16:36,140 I'd like to rumble with you. 223 00:16:40,580 --> 00:16:41,060 I 224 00:16:41,060 --> 00:16:50,320 mean, 225 00:16:50,340 --> 00:16:51,520 Bridge is beautiful, honestly. 226 00:16:51,920 --> 00:16:53,360 Okay, you like her? 227 00:16:53,780 --> 00:16:54,780 I mean, yeah. 228 00:16:55,140 --> 00:16:56,140 You think she's hot? 229 00:16:56,520 --> 00:17:00,180 I caught myself getting lost. I forgot what she was saying half the time. 230 00:17:00,500 --> 00:17:01,500 Dang. 231 00:17:01,840 --> 00:17:03,680 She's so, like, warm, too. 232 00:17:06,839 --> 00:17:09,500 I think today was the hardest day for me for sure. 233 00:17:09,740 --> 00:17:12,700 I just feel like that rehearsal went rough for me. 234 00:17:13,119 --> 00:17:18,140 I came into this challenge excited that I have experience picking up choreo in 235 00:17:18,140 --> 00:17:19,800 one hour and then performing it on stage. 236 00:17:20,060 --> 00:17:20,879 Yeah. 237 00:17:20,880 --> 00:17:26,380 And in rehearsals, it was a little like clash, clash because I feel like Nina. 238 00:17:27,359 --> 00:17:30,820 I figured it was me. You don't have respect for me. 239 00:17:32,430 --> 00:17:36,190 I got to a point in rehearsal where I just was like, I just have to give up 240 00:17:36,190 --> 00:17:38,450 because I couldn't just keep doing a back and forth. 241 00:17:39,830 --> 00:17:41,350 I'm so sorry that you felt that way. 242 00:17:42,470 --> 00:17:45,770 I genuinely was just trying to understand because I'm not used to 243 00:17:45,770 --> 00:17:46,770 working so quickly. 244 00:17:46,870 --> 00:17:50,890 I was just trying to have a conversation. So it felt less like you 245 00:17:50,890 --> 00:17:51,890 were trying to understand. 246 00:17:53,010 --> 00:17:57,870 We're trying to kind of take over rehearsal. 247 00:17:59,450 --> 00:18:00,450 Really? 248 00:18:01,639 --> 00:18:02,639 Okay. 249 00:18:03,140 --> 00:18:07,920 If I can be completely honest and just like speak my truth, any moments that I 250 00:18:07,920 --> 00:18:12,800 felt that I did talk, I also did feel like I ended up pulling back. So it's 251 00:18:12,800 --> 00:18:17,660 really, it's ironic to me to hear that it's again, I don't know how to work it 252 00:18:17,660 --> 00:18:22,320 out. I'm trying to be as sensitive and as careful as possible, but it is group 253 00:18:22,320 --> 00:18:23,199 work this week. 254 00:18:23,200 --> 00:18:24,620 I have to bite the bullet. 255 00:18:25,070 --> 00:18:28,110 then that's what it's going to have to be because you have to push past the 256 00:18:28,110 --> 00:18:31,570 uncomfortable feelings and we have to work together. That's just my outlook on 257 00:18:31,570 --> 00:18:33,970 it, but I don't even know what to say. 258 00:18:45,990 --> 00:18:52,030 We're going for the high five. Hands out, hands out. Come on, come on. 259 00:18:58,060 --> 00:18:59,680 How are we feeling? 260 00:18:59,880 --> 00:19:00,880 Everybody doing okay? 261 00:19:01,060 --> 00:19:02,060 We're feeling good. 262 00:19:02,400 --> 00:19:06,580 Of course, Natalie isn't here. She's under medical supervision. 263 00:19:06,820 --> 00:19:09,940 She's doing okay, and we'll keep you posted on her condition. 264 00:19:10,160 --> 00:19:12,540 But for now, the show must go on. 265 00:19:13,700 --> 00:19:18,840 Yesterday was, of course, your group performance, and today you will be 266 00:19:18,840 --> 00:19:20,380 performing team dances. 267 00:19:21,120 --> 00:19:22,800 That is your second challenge. 268 00:19:23,000 --> 00:19:26,920 Form two teams and create an amazing... 269 00:19:27,320 --> 00:19:28,320 Team dance. 270 00:19:28,480 --> 00:19:34,980 Nina and Tristan, the judges singled you out in the group dance. Now you have a 271 00:19:34,980 --> 00:19:38,980 chance to redeem yourself as team captains. 272 00:19:40,020 --> 00:19:43,040 Bottom two to top dog. 273 00:19:43,740 --> 00:19:47,200 It feels like I'm being rewarded for doing something wrong. 274 00:19:47,400 --> 00:19:50,400 You need to make these dances pop for the audience at home. 275 00:19:50,960 --> 00:19:54,100 Team dances are a Dancing with the Stars classic. 276 00:19:54,740 --> 00:19:57,560 Your routines should have clever choreography. 277 00:19:57,900 --> 00:20:03,660 The partnerships should be creative. You need to be in sync and dynamic. Just 278 00:20:03,660 --> 00:20:07,400 because you're the team captain does not mean that you have to lead. Be smart 279 00:20:07,400 --> 00:20:10,080 about who's on your team and play on everyone's strengths. 280 00:20:12,420 --> 00:20:17,240 Nina and Tristan, taking it in turns, you will pick your team members. 281 00:20:18,240 --> 00:20:19,240 Nice job. 282 00:20:19,260 --> 00:20:23,440 Being team captain after feeling helpless the day before, I kind of felt 283 00:20:23,440 --> 00:20:24,880 like I got to take my power back a little bit. 284 00:20:25,220 --> 00:20:26,900 Nina, you got the first pick. 285 00:20:27,140 --> 00:20:30,920 All right. I have to go with my brother from another mother, Alan. 286 00:20:31,220 --> 00:20:32,179 Up and over. 287 00:20:32,180 --> 00:20:32,919 Good start. 288 00:20:32,920 --> 00:20:34,200 Good start. Good start. 289 00:20:34,560 --> 00:20:35,560 Oh, no. 290 00:20:36,100 --> 00:20:37,100 Stephanie, come here, boo. 291 00:20:37,520 --> 00:20:39,660 Yeah. In your house? Yeah. 292 00:20:40,460 --> 00:20:41,540 Actually, very strategic. 293 00:20:42,080 --> 00:20:43,100 The next few picks. 294 00:20:43,860 --> 00:20:44,860 AJ. 295 00:20:46,830 --> 00:20:47,830 One, two, three. 296 00:20:49,110 --> 00:20:50,350 Nobody wants us. 297 00:20:51,610 --> 00:20:52,610 Selena. 298 00:20:57,050 --> 00:20:58,310 We're so bad. 299 00:20:58,730 --> 00:20:59,970 No, I wasn't. 300 00:21:01,210 --> 00:21:02,510 Eric, you know I love you. 301 00:21:03,570 --> 00:21:07,530 But we got to take that Rolls Royce for a spin. Let's go, Adele. Come on. 302 00:21:09,450 --> 00:21:10,450 Let's go. 303 00:21:12,810 --> 00:21:14,770 We have our team. 304 00:21:15,340 --> 00:21:16,640 Let's see what dance style you got. 305 00:21:18,180 --> 00:21:19,220 Paso Doble! 306 00:21:20,300 --> 00:21:21,300 Tango! 307 00:21:21,900 --> 00:21:22,900 I'm ecstatic. 308 00:21:23,040 --> 00:21:27,600 As a ballroom champion, the tango is my wheelhouse. I feel so at home. Very 309 00:21:27,600 --> 00:21:28,680 happy. Let's go. 310 00:21:29,240 --> 00:21:32,740 Team, you have very little time for rehearsal. 311 00:21:33,000 --> 00:21:35,860 It is crucial that you work together. 312 00:21:36,080 --> 00:21:37,080 Absolutely. 313 00:21:40,340 --> 00:21:43,160 Team Tango. One. 314 00:21:43,560 --> 00:21:49,800 two please tell me our hair is down for this are we setting up on the shoulder 315 00:21:49,800 --> 00:21:52,000 and then we're waiting for the music to start so we're gonna be sitting here 316 00:21:52,000 --> 00:21:57,120 seven eight one two three something like that that's cool yeah do you like it 317 00:21:57,120 --> 00:22:01,420 yeah i feel like we don't have to do it the same thing It can be like trading 318 00:22:01,420 --> 00:22:03,580 off. You do something, we do something. 319 00:22:03,820 --> 00:22:10,080 The dynamic that I've built with this team is I have a sprinkle of everything. 320 00:22:10,480 --> 00:22:13,580 Everyone has lots of ideas. They're all bouncing off each other really well. 321 00:22:13,860 --> 00:22:16,020 Would you want to do like, maybe it's the low Karina kick? 322 00:22:16,500 --> 00:22:17,920 You gotta tell me what that is. 323 00:22:18,560 --> 00:22:22,220 I like that you could do the up and I could do the down, yeah. 324 00:22:22,520 --> 00:22:26,400 So I'm thinking the best way for me to handle this as a leader is to step back 325 00:22:26,400 --> 00:22:27,760 and let them form their ideas. 326 00:22:28,060 --> 00:22:31,280 I already know Mark's going to say he's going to want boom, boom, boom. 327 00:22:31,500 --> 00:22:33,020 It should be more hard hitting. 328 00:22:33,240 --> 00:22:34,240 OK, let's do that. 329 00:22:35,360 --> 00:22:37,840 Yeah, I can't do that. 330 00:22:38,860 --> 00:22:42,900 That's sick, though. I'm the only one who's not a commercial dancer on our 331 00:22:42,900 --> 00:22:44,660 team. How are we trying to catch it? 332 00:22:45,180 --> 00:22:49,220 Even here. And then maybe you can bring us up. Which I'm happy about because it 333 00:22:49,220 --> 00:22:50,860 allows me to clean up things. 334 00:22:51,280 --> 00:22:56,620 I like how you went around me from this, like this, and like, you know, like 335 00:22:56,620 --> 00:23:00,980 really like keys it. I believe really is going to help us. Not even necessarily 336 00:23:00,980 --> 00:23:04,900 at the moment because we'll have so many more opportunities to do the transition. 337 00:23:05,460 --> 00:23:08,860 For me, it's always about creating the rotation through the choreography. So we 338 00:23:08,860 --> 00:23:11,040 transfer around that block. We don't want to pull back anyway. 339 00:23:11,240 --> 00:23:12,240 We want to extend. 340 00:23:12,400 --> 00:23:16,680 I'm ecstatic to have the team that I have. I picked them for a reason. But 341 00:23:16,680 --> 00:23:19,220 the judges said maybe sometimes you need to let go of the ring. 342 00:23:19,820 --> 00:23:23,800 So, as team captain, I passed on a huge responsibility role to AJ. 343 00:23:24,060 --> 00:23:27,400 Say we're lifting you, and you are... Maybe go, like, underneath. No. 344 00:23:27,720 --> 00:23:30,900 I've been put on the chopping block already more than one time. 345 00:23:31,220 --> 00:23:34,180 Hopefully it's not the thing that sends me home. No. Say you're just taking her 346 00:23:34,180 --> 00:23:37,660 armpits off. To actually put this routine together, nobody else is better 347 00:23:37,660 --> 00:23:38,259 than me. 348 00:23:38,260 --> 00:23:42,000 Boom. Yeah. This is tango. I've done this a million times. I've strictly come 349 00:23:42,000 --> 00:23:44,960 dancing. This is my wheelhouse. Mac. Oh, okay. 350 00:23:45,220 --> 00:23:47,580 Into a circle before going into the... 351 00:23:47,820 --> 00:23:54,200 argentinian gauchos etc oh that's cool i like it you see this method didn't mean 352 00:23:54,200 --> 00:24:01,100 madness one two and three and okay one more time sorry and then 353 00:24:01,100 --> 00:24:04,630 we need to do something else yeah I don't know where we're at. Here. Oh, 354 00:24:05,330 --> 00:24:06,149 you're over here. 355 00:24:06,150 --> 00:24:07,330 You're dancing with Selena. 356 00:24:07,630 --> 00:24:11,070 When I did Troop, everybody in the room was, like, professional, top level, and 357 00:24:11,070 --> 00:24:13,190 they were very used to having to choreograph under pressure. 358 00:24:13,510 --> 00:24:16,910 And I think this group specifically, it was just kind of overwhelming because 359 00:24:16,910 --> 00:24:20,290 some people weren't used to it, and, like, our ideas just weren't clicking. 360 00:24:20,770 --> 00:24:21,770 Are you okay? 361 00:24:22,250 --> 00:24:26,150 I'm very confused, but it's fine. My thought process is let y'all finish 362 00:24:26,150 --> 00:24:27,550 this, and I'll catch up. Okay. 363 00:24:28,590 --> 00:24:33,190 Tristan was... chosen as the captain role and i feel like as a team captain 364 00:24:33,190 --> 00:24:38,010 you want to build people up but i feel like he's at a point in rehearsal now 365 00:24:38,010 --> 00:24:41,870 where he's just shut down feel free to speak up like yeah i know it is a time 366 00:24:41,870 --> 00:24:45,870 crunch but it's better for all and have a cohesive idea of what's happening than 367 00:24:45,870 --> 00:24:50,650 you feeling like it's just three of us and then you yeah i just don't know how 368 00:24:50,650 --> 00:24:54,840 to like contribute giving any two cents in is what we need right now Because 369 00:24:54,840 --> 00:24:56,060 we're all under a bunch of stress. 370 00:24:56,260 --> 00:24:58,820 And at the end of the day, you're the one who gets to make the ending 371 00:24:58,820 --> 00:25:00,820 decision. Be like, actually, I don't like that. 372 00:25:01,060 --> 00:25:03,020 You're a team captain. That's your role. 373 00:25:03,800 --> 00:25:05,200 I know it's a team challenge. 374 00:25:05,600 --> 00:25:07,940 But at the end of the day, I have to look out for myself. 375 00:25:09,440 --> 00:25:10,520 Slowly, from five. 376 00:25:11,100 --> 00:25:12,840 Five, six, seven, eight. 377 00:25:13,200 --> 00:25:14,159 One, two. 378 00:25:14,160 --> 00:25:15,160 No, no, no. 379 00:25:15,220 --> 00:25:18,920 What did I do? What did I do? The team that Nina picked is perfect. 380 00:25:19,850 --> 00:25:24,930 For her, right now the dynamic in the group is AJ is the brains of the 381 00:25:24,930 --> 00:25:29,830 operation. It's very clear to me that I have to step back just a little bit and 382 00:25:29,830 --> 00:25:33,510 become a team player in this specific equation because I want to make sure 383 00:25:33,510 --> 00:25:35,910 that she stays safe and stays in the competition. 384 00:25:36,230 --> 00:25:39,870 What's the time? 3-4. 3-4. And you step forward and you prepare on what count? 5 385 00:25:39,870 --> 00:25:42,290 and 6. Beautiful. We do that slowly. Great. 386 00:25:43,340 --> 00:25:46,960 When you get called out for not listening, you have to be able to take a 387 00:25:46,960 --> 00:25:49,580 step back and letting AJ take the lead. 388 00:25:49,780 --> 00:25:51,100 I feel like I'm on the right track. 389 00:25:51,440 --> 00:25:54,480 Because I don't want to be the one to go home. 390 00:25:57,100 --> 00:25:59,660 I will come down to you. 391 00:26:00,020 --> 00:26:05,340 I will bring you up. Nina is the team leader, but I'm happy to take all the 392 00:26:05,340 --> 00:26:06,420 risk for this routine. 393 00:26:06,660 --> 00:26:11,660 This can be my week to showcase what I can do because it could be my head on 394 00:26:11,660 --> 00:26:12,660 the chopping board. 395 00:26:12,890 --> 00:26:15,370 So you turn around, you're on one, two, three. 396 00:26:15,570 --> 00:26:16,570 Yeah, 397 00:26:17,890 --> 00:26:24,890 I 398 00:26:24,890 --> 00:26:30,170 feel like a million bucks. How lucky are we to be able to do this? 399 00:26:32,170 --> 00:26:35,230 I'm excited to see what they're going to do today. I'm so excited. 400 00:26:36,160 --> 00:26:41,540 Welcome back to The Next Pro. We have seen our dancers perform an incredible 401 00:26:41,540 --> 00:26:46,940 group number, but it's time to see what they have created for the judges. 402 00:26:47,420 --> 00:26:50,440 Dancers, Natalie is not here. 403 00:26:50,800 --> 00:26:56,640 We'll explain her absence a little later on. It is now time for your team 404 00:26:56,640 --> 00:27:01,820 dancers. This is the second challenge to see your ability to work together as a 405 00:27:01,820 --> 00:27:05,500 team. All right, first up... It's team Paso Doble. 406 00:27:07,920 --> 00:27:10,440 Everybody, how did we find rehearsals? 407 00:27:10,960 --> 00:27:15,940 Rehearsals were challenging, but in the best way. 408 00:27:16,420 --> 00:27:19,860 Well, I'd like to know who took the lead on the choreography and the timing, 409 00:27:19,920 --> 00:27:21,220 please. I will. 410 00:27:21,520 --> 00:27:25,700 It's a combination, yeah. We worked as a team together. 411 00:27:26,040 --> 00:27:29,120 Yeah. Okay, it's time. Let's do it, guys. 412 00:27:29,520 --> 00:27:30,520 Let's go. 413 00:27:31,100 --> 00:27:32,520 Are we doing it now? 414 00:27:32,780 --> 00:27:33,800 Yeah. Oh, shoot. 415 00:27:34,780 --> 00:27:35,780 Stressful change. 416 00:27:35,960 --> 00:27:36,960 Stressful change. 417 00:27:36,980 --> 00:27:37,980 I'm stressed for them. 418 00:27:38,580 --> 00:27:43,480 I feel like really all I can do now is just show myself as a dancer and show 419 00:27:43,480 --> 00:27:45,620 the judges what I can do with what I was given. 420 00:27:46,840 --> 00:27:48,360 I'm feeling nervous. 421 00:27:49,020 --> 00:27:50,280 I want to do my best. 422 00:27:50,540 --> 00:27:52,140 I don't want to let my team down. 423 00:29:56,940 --> 00:29:57,940 I like the ending. 424 00:29:59,380 --> 00:30:04,020 The beginning was dynamic. It was powerful. 425 00:30:04,440 --> 00:30:06,480 The guys' cape work, good. 426 00:30:06,700 --> 00:30:10,180 And the girls coming forward, so strong. Really good job. 427 00:30:10,400 --> 00:30:15,640 However, I felt like you were out there as individuals. You didn't necessarily 428 00:30:15,640 --> 00:30:19,040 find that connection within each other, which is so important. 429 00:30:19,340 --> 00:30:24,890 Tristan. You had a really tough time during the group dance, and I was hoping 430 00:30:24,890 --> 00:30:27,030 that you would really step it up. 431 00:30:27,250 --> 00:30:29,530 Unfortunately, you looked a bit lost. 432 00:30:30,210 --> 00:30:35,650 Selena, I love watching you, but today I just felt like your spatial awareness 433 00:30:35,650 --> 00:30:40,810 was lacking. I could see Stephanie really locking in with you and you kind 434 00:30:40,810 --> 00:30:43,790 of not seeing her at times, so therefore cues were off. 435 00:30:44,350 --> 00:30:48,370 There was a directness missing a little bit and peripheral vision. 436 00:30:48,570 --> 00:30:53,070 Knee walks were off. The back kick was off. I did find, Stephanie, that you 437 00:30:53,070 --> 00:30:54,070 were very, very aware. 438 00:30:54,230 --> 00:30:57,910 I can tell you've been in groups before and Eric the same. Your peripheral was 439 00:30:57,910 --> 00:31:01,770 not bad at all. So you said that you all had a part to play in this. 440 00:31:02,250 --> 00:31:07,130 Sometimes it's better to have one person directing and one person cleaning. 441 00:31:07,630 --> 00:31:11,270 Because when you look back at this, you're going to see quite a lot of arms 442 00:31:11,270 --> 00:31:13,050 off, overturned. 443 00:31:13,420 --> 00:31:15,580 Let me ask all of you guys, was this hard? 444 00:31:16,060 --> 00:31:17,580 Yeah. Yes. It was hard. 445 00:31:18,280 --> 00:31:22,280 Now, I want you to imagine what it would be like with a celebrity. 446 00:31:22,800 --> 00:31:25,440 All of you would have a different celebrity, and they'd all be at 447 00:31:25,440 --> 00:31:26,440 different levels. 448 00:31:26,880 --> 00:31:29,060 But overall, it was fun. Thank you, guys. 449 00:31:29,380 --> 00:31:30,380 Good job. 450 00:31:31,790 --> 00:31:36,370 I loved how it opened. I was like locked down. It was strong and then it just 451 00:31:36,370 --> 00:31:37,750 kind of fell apart. 452 00:31:38,150 --> 00:31:41,490 I think because they over try, it no longer becomes teamwork. 453 00:31:41,810 --> 00:31:45,630 Yeah. So it's finding that happy medium. I'm excited to see the other group. 454 00:31:52,470 --> 00:31:58,390 Welcome back to The Next Pro. We are midway through the team dances and the 455 00:31:58,390 --> 00:32:00,270 stakes are sky high. 456 00:32:00,590 --> 00:32:03,400 Next. It is time for Team Tango. 457 00:32:04,240 --> 00:32:09,200 Team, how did rehearsals go for you? It was such a breath of fresh air to work 458 00:32:09,200 --> 00:32:12,640 with these amazing individuals. All egos were checked at the door. I couldn't be 459 00:32:12,640 --> 00:32:13,920 happier with my team, honestly. 460 00:32:14,620 --> 00:32:18,860 I'd like to know who was assigned the cleaning of this routine. 461 00:32:19,060 --> 00:32:23,000 We decided to let AJ take the lead on the cleanliness and everything like 462 00:32:23,000 --> 00:32:24,120 that. And the choreographer? 463 00:32:25,180 --> 00:32:26,440 Everybody combined effort. 464 00:32:26,780 --> 00:32:29,940 AJ gave us bits and pieces, and then we kind of made all the puzzle pieces fit. 465 00:32:30,360 --> 00:32:31,840 Very positively delivered. 466 00:32:32,260 --> 00:32:33,260 Well done. 467 00:32:33,500 --> 00:32:34,500 Let's do it, guys. 468 00:32:34,820 --> 00:32:39,000 Woo! Let's do it, guys. I think with AJ, it will always be in time. 469 00:32:39,280 --> 00:32:42,440 Well, it's good to see him do ballroom, isn't it? I've seen him do two jobs now. 470 00:32:42,680 --> 00:32:44,600 I'm anxious to see something else. 471 00:32:45,220 --> 00:32:50,140 I am nervous going into the performance, but I hope that letting AJ take the 472 00:32:50,140 --> 00:32:53,840 reins today helps me perform to the best of my ability and not be in the bottom 473 00:32:53,840 --> 00:32:57,480 two. It's smart of Nina as a team captain to allow that, because then a 474 00:32:57,480 --> 00:32:59,540 couple of challenges ago, she got in trouble for steamrolling. 475 00:33:00,010 --> 00:33:01,130 So I like that. Okay. 476 00:33:08,470 --> 00:33:09,470 Hey. 477 00:33:18,230 --> 00:33:20,090 Get up. 478 00:33:45,590 --> 00:33:46,590 One, 479 00:33:50,530 --> 00:33:52,990 two, three, four, five, six. 480 00:34:59,720 --> 00:35:00,638 shaped the end. 481 00:35:00,640 --> 00:35:04,160 I keep going until the lights come on. I love it. 482 00:35:04,440 --> 00:35:06,000 It doesn't matter. 483 00:35:06,560 --> 00:35:07,560 I know, I know, I know. 484 00:35:07,940 --> 00:35:08,940 It's okay. 485 00:35:09,520 --> 00:35:13,420 He's really beating himself up over that. What are the judges going to say? 486 00:35:16,320 --> 00:35:22,160 Alan, you fell. 487 00:35:24,440 --> 00:35:25,440 There's a lot going on. 488 00:35:25,620 --> 00:35:27,020 And sometimes we fall over. 489 00:35:27,380 --> 00:35:28,380 He got up quick. 490 00:35:29,000 --> 00:35:30,940 Didn't even notice. We've all fallen over. 491 00:35:31,500 --> 00:35:32,500 Fine. 492 00:35:33,040 --> 00:35:37,120 The funny thing is, is when I fell over, I was trying to get back up quick, and I 493 00:35:37,120 --> 00:35:38,180 kept falling over. 494 00:35:38,820 --> 00:35:41,860 I was like, this is not happening right now. Well, you did. You got up great. 495 00:35:41,900 --> 00:35:44,620 You carried on. It was really well saved. Nina. 496 00:35:46,080 --> 00:35:48,060 Yes. So much improvement today. 497 00:35:48,320 --> 00:35:49,740 Thank you. You're the team captain. 498 00:35:50,120 --> 00:35:54,980 You made the right choice in letting some delegation happen over here. 499 00:35:55,340 --> 00:35:58,040 You worked together as a team. 500 00:35:58,780 --> 00:36:01,420 Something that I want you to continuously work on because you did 501 00:36:01,420 --> 00:36:04,300 improve on it today. It's just a little bit of the timing. You guys did the 502 00:36:04,300 --> 00:36:07,180 swivel side by side. They were completely locked in. 503 00:36:07,660 --> 00:36:08,740 Super minor today. 504 00:36:09,140 --> 00:36:12,300 Thank you. I have got a concern or two about the timing. 505 00:36:12,560 --> 00:36:16,320 And when you went into the swivels, you were in the safe hands of AJ. 506 00:36:16,560 --> 00:36:21,440 I'll be very curious to see you when you have to choreograph for a celebrity. 507 00:36:21,660 --> 00:36:24,620 I do want to argue a little because, yeah, she had a great... 508 00:36:24,990 --> 00:36:28,610 lead from AJ, but he's not physically picking her feet up off the floor. 509 00:36:29,130 --> 00:36:33,050 They were in... I'm going to say... No, no, no, no, Mark. No, when they did 510 00:36:33,050 --> 00:36:36,470 those swivels side by side, those feet were like this. 511 00:36:36,670 --> 00:36:37,890 It was not a criticism. 512 00:36:38,110 --> 00:36:41,670 It was an observation. And that was my observation. Yes, well, I'm just saying. 513 00:36:42,210 --> 00:36:43,210 I'm just saying. 514 00:36:44,230 --> 00:36:45,730 Family love. 515 00:36:47,830 --> 00:36:52,970 Adele, you are a phenomenal lady dancer. You have a great musical ear. 516 00:36:53,370 --> 00:36:57,330 You can follow when you need to follow, and you can assert when you need to 517 00:36:57,330 --> 00:37:00,090 assert. But the star today for me was AJ. 518 00:37:00,310 --> 00:37:04,130 In the first two weeks, you were a little bit self-absorbed. It is not 519 00:37:04,130 --> 00:37:08,830 about you. It is about being very connected to your teammates. 520 00:37:09,330 --> 00:37:14,670 And today, you were humble, you had humility, you worked as a team, and you 521 00:37:14,670 --> 00:37:16,490 brought yourself down a peg or two. 522 00:37:17,750 --> 00:37:20,830 I am so impressed with what I just saw. 523 00:37:21,280 --> 00:37:23,040 Because you pushed the boundaries. 524 00:37:23,640 --> 00:37:28,800 And I know that as traditional dancers, that was out of your comfort zone. 525 00:37:29,060 --> 00:37:30,060 Good job. 526 00:37:30,100 --> 00:37:31,100 Welcome. 527 00:37:31,560 --> 00:37:32,580 Thank you. 528 00:37:33,260 --> 00:37:34,260 Good job, guys. 529 00:37:35,120 --> 00:37:38,640 Guys. Do a show with your mom, they said. It'll be fun, they said. 530 00:37:42,400 --> 00:37:43,780 It's just the delivery. 531 00:37:57,800 --> 00:38:04,000 Welcome back to The Next Pro. We've seen Team Pasto and Team Tango Dance, but now 532 00:38:04,000 --> 00:38:07,080 it's time to find out what the judges' decision is. 533 00:38:07,740 --> 00:38:11,560 Britt, you have been their mentor through this process. 534 00:38:11,960 --> 00:38:16,600 I am just wishing you all of the best on this journey. Good luck. 535 00:38:16,820 --> 00:38:17,820 Thank you. 536 00:38:17,860 --> 00:38:23,400 Shirley, which team dance impressed you the most, making them safe from 537 00:38:23,400 --> 00:38:24,400 elimination? 538 00:38:24,780 --> 00:38:30,460 The team that impressed us the most due to their synchronicity, their working 539 00:38:30,460 --> 00:38:35,440 together, is Team Tango. Thank you. 540 00:38:38,680 --> 00:38:39,680 Well done, 541 00:38:41,700 --> 00:38:43,200 Team Tango. Good job. 542 00:38:43,640 --> 00:38:46,740 That means you are safe from elimination. 543 00:38:47,240 --> 00:38:48,240 Thank you. 544 00:38:48,460 --> 00:38:54,020 Judges, after seeing both the group dance and team dances, which... 545 00:38:54,320 --> 00:38:56,620 Two dancers didn't quite hit the mark. 546 00:39:01,500 --> 00:39:07,100 The first dancer in Jeopardy is a fantastic solo dancer, 547 00:39:07,340 --> 00:39:12,860 but inside the group didn't actually have the peripheral awareness. 548 00:39:14,140 --> 00:39:18,360 So the first person for me in Jeopardy is... 549 00:39:24,590 --> 00:39:25,590 Selena. 550 00:39:30,310 --> 00:39:34,430 The second dancer in Jeopardy! actually started really strong, but throughout 551 00:39:34,430 --> 00:39:37,310 the dance lost confidence and lost a little bit of steam. 552 00:39:37,750 --> 00:39:41,910 So the dancer that is in Jeopardy! is 553 00:39:41,910 --> 00:39:45,350 Tristan. 554 00:39:53,270 --> 00:39:54,270 Shelly. 555 00:39:54,890 --> 00:39:56,170 Who was going home tonight? 556 00:39:57,190 --> 00:40:00,470 Tonight was the last dance for... 557 00:40:00,470 --> 00:40:05,850 Neither of you. 558 00:40:09,290 --> 00:40:14,550 Following Natalie's injury, she was not medically cleared to compete. 559 00:40:14,950 --> 00:40:17,910 And so, she has been eliminated. 560 00:40:18,410 --> 00:40:19,430 Oh, my God. 561 00:40:20,370 --> 00:40:23,990 This means you will all live to dance. 562 00:40:24,480 --> 00:40:25,480 Another day. 563 00:40:30,740 --> 00:40:31,740 How you doing? 564 00:40:33,620 --> 00:40:37,940 Group dances is what I do, so it was hard being bottom two. 565 00:40:38,620 --> 00:40:40,240 How are you feeling for Natalie right now? 566 00:40:40,520 --> 00:40:47,260 I feel so bad that she can't continue. I was off of an accident. 567 00:40:47,780 --> 00:40:49,080 That's really harsh, though. 568 00:40:49,800 --> 00:40:51,560 Why don't you join your fellow dancers? 569 00:40:52,840 --> 00:40:53,840 Come on back. 570 00:40:55,280 --> 00:41:01,460 What a blow to Natalie. But she is here to support everyone. 571 00:41:06,360 --> 00:41:10,520 Okay, how are you feeling? Really sad and disappointed that I won't be able to 572 00:41:10,520 --> 00:41:11,620 continue in this competition. 573 00:41:13,800 --> 00:41:17,080 But the most important thing is just to take care of my body so then I can dance 574 00:41:17,080 --> 00:41:19,700 again. Absolutely. You have to follow medical advice. 575 00:41:20,410 --> 00:41:24,890 I love all of you so, so, so much, and I'm going to miss you all. Thank you so 576 00:41:24,890 --> 00:41:26,610 much. Well done, Natalie. 577 00:41:27,410 --> 00:41:28,410 Well done. 578 00:41:32,210 --> 00:41:39,150 Eight dancers still remain, and they are all one step closer to that role of 579 00:41:39,150 --> 00:41:44,990 a lifetime. As a pro on Dancing With The Stars, thank you, as always, to our 580 00:41:44,990 --> 00:41:48,910 fabulous judges, Shirley, Mark, and, of course, our guest judge, Britt Stewart. 581 00:41:49,400 --> 00:41:53,460 I'm Robert Irwin. Join us next week when our dancers face a fresh new challenge 582 00:41:53,460 --> 00:41:54,680 here on The Next Pro. 583 00:41:54,960 --> 00:41:55,960 Good night. 584 00:42:00,360 --> 00:42:02,260 Next time on The Next Pro. 585 00:42:02,500 --> 00:42:03,500 Jenna Johnson! 586 00:42:04,480 --> 00:42:06,620 This week's theme is chemistry. 587 00:42:07,300 --> 00:42:09,460 Girls, you're going to pick a guy. 588 00:42:11,060 --> 00:42:15,000 I am petty, so I'm probably going to twist the knife a few more times. 589 00:42:15,260 --> 00:42:16,380 I don't want to ruin our friendship. 590 00:42:17,140 --> 00:42:20,780 I'm sorry. If I had a choice, you would have been my first pick. 591 00:42:22,320 --> 00:42:23,920 I am speechless. 592 00:42:25,340 --> 00:42:27,220 I'm not even sure I should be watching. 593 00:42:29,000 --> 00:42:30,280 I need a fan.